Based in Brighton, UK

Theatre Dressing

Glyndebourne

  • Autumn 2025

    • Puccini’s La Bohème for 9 performances – dressing 16 child supers & 6 banda.
    • Wagner’s Parsifal for 10 performances – dressing 3 mezzo’s & soprano’s of the chorus.
    • Wagner’s Parsifal for 10 performances – dressing 3 mezzo’s & soprano’s of the chorus.
    • Wagner’s Parsifal for 10 performances – dressing 3 mezzo’s & soprano’s of the chorus.
    • Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus.
    • Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus.
    • Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus.
    • Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus.
    • Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus.
    • Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus.
    • Janáček’s Káťa Kabanová for 6 performances – dressing the Angel.
    • Janáček’s Káťa Kabanová for 6 performances – dressing the Angel.
    • Janáček’s Káťa Kabanová for 6 performances – dressing the Angel.
    • Janáček’s Káťa Kabanová for 6 performances – dressing the Angel.
    • Janáček’s Káťa Kabanová for 6 performances – dressing the Angel.
    • Verdi’s Falstaff for 12 performances – dressing 2 supers (Landlady & Charlady) and 6 child supers (Brownies/Pixies).
    • Verdi’s Falstaff for 12 performances – dressing 2 supers (Landlady & Charlady) and 6 child supers (Brownies/Pixies).
    • Verdi’s Falstaff for 12 performances – dressing 2 supers (Landlady & Charlady) and 6 child supers (Brownies/Pixies).
    • Rossini’s ‘Il Turco in Italia’ for 8 performances – dressing mezzos & sopranos of the chorus.
    • Verdi’s ‘La Traviata’ for 10 performances – dressing mezzos & sopranos of the chorus.
    • Verdi’s ‘La Traviata’ for 10 performances – dressing mezzos & sopranos of the chorus.
    • Verdi’s ‘La Traviata’ for 10 performances – dressing mezzos & sopranos of the chorus.

    • Mozart’s ‘Die Zauberflöte’ for 16 performances- dressing the tenors & basses of the chorus.
    • Mozart’s ‘Die Zauberflöte’ for 16 performances- dressing the tenors & basses of the chorus.
    • Handel’s ‘Giulio Cesare’ for 16 performances – dressing Beth Taylor (mezzo-saprano) as Cornelia.
    • Handel’s ‘Giulio Cesare’ for 16 performances – dressing Beth Taylor (mezzo-saprano) as Cornelia.
    • Handel’s ‘Giulio Cesare’ for 16 performances – dressing Beth Taylor (mezzo-saprano) as Cornelia.
    • Lehár’s ‘The Merry Widow’ for 13 performances- dressing the tenors, including the banda, and basses as well as mezzo’s & sopranos of the chorus.
    • Lehár’s ‘The Merry Widow’ for 13 performances- dressing the tenors, including the banda, and basses as well as mezzo’s & sopranos of the chorus.
    • Donizetti’s Don Pasquale for 10 performances – dressing the mezzos & sopranos, and tennors & bases of the chorus.
    • Donizetti’s Don Pasquale for 10 performances – dressing the mezzos & sopranos, and tennors & bases of the chorus.
    • Handel’s Alcina for 14 performance – dressing the ‘male’ dancers.
    • Handel’s Alcina for 14 performance – dressing the ‘male’ dancers.