Glyndebourne

Wagner’s Parsifal for 10 performances – dressing 3 mezzo’s & soprano’s of the chorus. 
Wagner’s Parsifal for 10 performances – dressing 3 mezzo’s & soprano’s of the chorus. 
Wagner’s Parsifal for 10 performances – dressing 3 mezzo’s & soprano’s of the chorus. 
Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus. 
Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus. 
Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus. 
Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus. 
Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus. 
Handel’s Saul for 13 performances – dressing 4 mezzo’s & soprano’s of the chorus. 
Janáček’s Káťa Kabanová for 6 performances – dressing the Angel. 
Janáček’s Káťa Kabanová for 6 performances – dressing the Angel. 
Janáček’s Káťa Kabanová for 6 performances – dressing the Angel. 
Janáček’s Káťa Kabanová for 6 performances – dressing the Angel. 
Janáček’s Káťa Kabanová for 6 performances – dressing the Angel. 
Verdi’s Falstaff for 12 performances – dressing 2 supers (Landlady & Charlady) and 6 child supers (Brownies/Pixies). 
Verdi’s Falstaff for 12 performances – dressing 2 supers (Landlady & Charlady) and 6 child supers (Brownies/Pixies). 
Verdi’s Falstaff for 12 performances – dressing 2 supers (Landlady & Charlady) and 6 child supers (Brownies/Pixies).

Rossini’s ‘Il Turco in Italia’ for 8 performances – dressing mezzos & sopranos of the chorus. 
Verdi’s ‘La Traviata’ for 10 performances – dressing mezzos & sopranos of the chorus. 
Verdi’s ‘La Traviata’ for 10 performances – dressing mezzos & sopranos of the chorus. 
Verdi’s ‘La Traviata’ for 10 performances – dressing mezzos & sopranos of the chorus.

Mozart’s ‘Die Zauberflöte’ for 16 performances- dressing the tenors & basses of the chorus. 
Mozart’s ‘Die Zauberflöte’ for 16 performances- dressing the tenors & basses of the chorus. 
Handel’s ‘Giulio Cesare’ for 16 performances – dressing Beth Taylor (mezzo-saprano) as Cornelia. 
Handel’s ‘Giulio Cesare’ for 16 performances – dressing Beth Taylor (mezzo-saprano) as Cornelia. 
Handel’s ‘Giulio Cesare’ for 16 performances – dressing Beth Taylor (mezzo-saprano) as Cornelia. 
Lehár’s ‘The Merry Widow’ for 13 performances- dressing the tenors, including the banda, and basses as well as mezzo’s & sopranos of the chorus. 
Lehár’s ‘The Merry Widow’ for 13 performances- dressing the tenors, including the banda, and basses as well as mezzo’s & sopranos of the chorus.

Donizetti’s Don Pasquale for 10 performances – dressing the mezzos & sopranos, and tennors & bases of the chorus. 
Donizetti’s Don Pasquale for 10 performances – dressing the mezzos & sopranos, and tennors & bases of the chorus. 
Handel’s Alcina for 14 performance – dressing the ‘male’ dancers. 
Handel’s Alcina for 14 performance – dressing the ‘male’ dancers.




